Greg Day is a Maine artist whose modular mixed-media paintings transform architectural memory and spatial imagination into expansive, wall-mounted works that resist easy categorization. Trained in architecture and engineering at the University of Kansas and shaped by years working in New York, England, and Prague, Greg Day brings a builder's sensibility to paintings that feel simultaneously like blueprints, maps, and windows onto uncharted territory.
Working in segmented wood panels designed in CAD software and layered with acrylic, resin, oil, and digital print, he creates compositions that blur the line between control and improvisation. Represented by Portland Art Gallery, Greg Day's work invites viewers to navigate space, memory, and form without a fixed reference point.
What happens when a childhood obsession with imaginary cities meets a career in architecture — and how does that collision become a painting practice with no edges and no end?