Greg Day is a Maine artist whose modular, resin-layered paintings transform architectural discipline into luminous, grid-based compositions that reward both immediate impact and slow, close looking. Working from a two-building studio in Bath, Maine, Greg Day builds each piece through successive layers of pigment, acrylic, and epoxy resin — incorporating 3D-printed relief elements, zinc, aluminum, and canvas to create surfaces that bridge structure and sensation.
Trained in architecture and shaped by a career that spanned continents, he channels that background into a practice defined by constraint and freedom in equal measure. Represented by Portland Art Gallery, Greg Day creates paintings that feel simultaneously systematic and alive — grids that glow, layers that shift, and forms that seem perpetually on the edge of motion.
What does it look like inside the studio where all of this comes together — and how does a granite stone circle in foggy Dartmoor end up informing a resin painting in coastal Maine?